SET~2

Series FH1EG/3

Roll No.

Q.P. Code 1/3/2

Candidates must write the Q.P. Code

on the title page of the answer-book.

• Please check that this question paper contains 19 printed pages.

Q.P. Code given on the right hand side of the question paper should be written on the title page of the answer-book by the candidate.

Please check that this question paper contains 13 questions.

Please write down the serial number of the question in the answer-book before attempting it.

15 minute time has been allotted to read this question paper. The question paper will be distributed at 10.15 a.m. From 10.15 a.m. to 10.30 a.m., the students will read the question paper only and will not write any answer on the answer-book during this period.

ENGLISH (Core)

Time allowed: 3 hours

Maximum Marks: 80

General Instructions:

Read the following instructions very carefully and strictly follow them:

1. This question paper has 13 questions. All questions are compulsory.
2. This question paper contains three sections — Section A: Reading Skills, Section B: Creative Writing Skills and Section C: Literature.
3. Attempt all questions based on specific instructions for each part. Write the correct question number and part thereof in your answer sheet.
4. Separate instructions are given with each question/part, wherever necessary.
5. Adhere to the prescribed word limit while answering the questions.

→ 1 →

P.T.O.

1/3/2

SECTION A

<math>(20 \text{ marks})</math>

Reading Skills

1. Read the passage given below:

1 As a form of expression, graffiti is famously characterized by outlaw values; the creation and display of graffiti countered societal rules and was considered by some as vandalism. Not only was it symbolic of rebel values but was also linked to destruction of property. These links between graffiti culture and rebellion were age-old and some say, were popularized by hip-hop culture.

2 Imagine waking up one morning, to see your walls smeared with black paint — names, symbols, messages. The most interesting bit is that these wall artists were never caught red-handed. It was all done stealthily. It was almost as though people were marking their territory using painted symbols and slogans. The change was creeping in. Mobile numbers and captivating phrases gradually became marketing tools for free advertising. Catchy phrases tickled the curiosity and calls were made to those numbers.

3 Over a period of time, there was a shift in perception. Blank walls beckoned invitingly and artists saw whitewashed walls as an opportunity to display their work in free and open settings. The city became one large canvas; the illegal 'gang activity' became an art form on display in walking galleries. Graffiti was gradually being replaced and the stigma of illegality was being dropped. There was a move to embrace rather than condemn.

1/3/2

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